It makes less sense up close, except it doesn't |
There's an armed robbery happening two feet away. Would you mind being a little more concerned? |
You could do something that would make sense. Then again, no one else would be as fabulous. |
Then we move on to Jameson on a talk show about how much Spider-Man sucks. Does no one but the Human Torch have a life outside of Spider-Man's?
Is he related to Godzilla or is he just mad New York shrank? |
Was the author told to speed up in places and slow down in others and he got confused and wrote a different sequel for each?
Dude, can you pay attention to physics at least slightly? |
Anyway, one managed to catch The Human Torch. With a normal lasso. While he was flying above tall buildings and they're on the street. And no one is around to notice. Well, at least someone bothered to remember to add in a background. And yes, they capture him, thanks to the combined efforts of Sandman and a fire extinguisher.
I'd say the Human Torch needs an adult, but that's exactly what's going on |
Unfortunately, Sandman accidentally spills the beans that Spider-Man is back in action. Fortunately, no one cares and we can move on to some filler with Peter Parker.
It's actually pretty good filler of him and his aunt interacting like family--very close, but not clingy. Remember this. You'll miss it.
At school, everyone's excited to get back into Flash's Spider-Man Fanclub. Flash si so happy about Spider-Man coming back that he forgets all his bruises are gone within a day. Lash and Liz have an argument about...something, and then Flash decides to argue with Peter over even less.
How dare you have feelings! |
Spider-Man follows Crotchpunhcer into a house, hoping Crotchpuncher will lead him to the other Enforcers. Hey, maybe this is where he lives?
No, this is where everything is contrived by the plot, common sense be damned a long time ago. Of course, there are villains hiding behind each door and they find Spider-Man crawling on the ceiling. And of course they all tackle Spider-Man instead of running away in hope he can't catch them all.
And we're back to fighting like Looney Tunes |
Later, Peter goes to work and Betty introduces him to her 'friend' Ned Leeds. Already you feel sorry for him for being with Betty and she can't even admit they're a couple. She starts apologizing to Peter about how she acted and then, when he accepts her apology and decides to move on to something relevant, she starts crying about losing him.
Wanna celebrate me doing what I was supposed to be doing in the first place by watching me slack off? |
So, who else is looking forward to the movie with her in it? |
The comic takes an entire page to show Sandman and The Enforcers plan to use The Human Torch as bait to catch Spider-Man and kill him. No, they don't do it, they just plan on it. No, we don't need any of it.
Then he goes to bother Jameson. He just shows up, calls Jameson names, and then leaves. That's it.
Oh, and to make the last scene with Sandman and the Enforcers even more pointless, Spider-Man goes around threatening people asking for their whereabouts because he doesn't want to wait around for them to announce their trap.
"Yeah, we're experts at losing!" |
God to see he's got his priorities back |
Yep, Spider-Man won't shot shooting webbing and the Human Torch won't stop flying in front of where the webbing is aimed. So Spider-Man shoots more web and the Human Torch gathers more up.
But their temper tantrums don't matter in the slightest. The cops came from who know where and tackled Sandman. In fact, they fight so well, the actually arrest him when the Human Torch and Spider-Man don't bother to help and just watch. Our heroes, ladies and gentlemen.
Peter goes to work to sell photos of the fight (I hope he didn't include the ones where he screwed up fighting the Human Torch) and then asks Betty out to ice cream. She says she has a date with Ned, but when Peter is happy for her and gets the message loud and clear and leaves, she's upset she lost him.
The comic realizes hos stupid her plot is, so the writer uses the last page to wash it out of our brain by showing some mystery man (who looks a lot like Crotchpuncher, as sadly that's not a red herring for the audience, it's just bad art) following Peter Parker home and calling a mystery boss who demands Peter be watched every minute for days.
It's good that they at remembered which plot threads lead to suspense and which just fill up the page.
WHAT THE HELL IS HE SWINGING ON COUNT: 1
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It's Marvel's favorite and most useless vampire. It's Morbius in the Marvel Rebooted Universe.
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